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Under neon-lit conditions. Symmetrical facial features images generated with AI
TerryGilliam
2.1_rmadaMerge_v7
Kappa_Neuro
Terry Gilliam Style
lora:TerryGilliam:1A scene from the Terry Gilliam film Brazil as directed by Orson Welles
shot on an Arri Alexa Mini LF with a 50mm lens
under neon-lit conditions. Symmetrical facial features
fingers and limbs. The style blending Welles' noir-inspired cinematic language with the high-tech
low-life ethos of cyberpunk
developed on Kodak Vision3 500T 5219 film. Expect the scene to depict a gritty futuristic cityscape
filled with imposing architecture
holographic advertisements
and a diverse crowd of cyborgs and humans.
SDXL Base 1.0
lora:Terry Gilliam Style:1Terry Gilliam Style - A scene from the Terry Gilliam film Brazil as directed by Orson Welles
Show More
TerryGilliam
2.1_rmadaMerge_v7
Kappa_Neuro
Terry Gilliam Style
lora:TerryGilliam:1A scene from the Terry Gilliam film Brazil as directed by Orson Welles
shot on an Arri Alexa Mini LF with a 50mm lens
under neon-lit conditions. Symmetrical facial features
fingers and limbs. The style blending Welles' noir-inspired cinematic language with the high-tech
low-life ethos of cyberpunk
developed on Kodak Vision3 500T 5219 film. Expect the scene to depict a gritty futuristic cityscape
filled with imposing architecture
holographic advertisements
and a diverse crowd of cyborgs and humans.
TerryGilliam
2.1_rmadaMerge_v7
Kappa_Neuro
Terry Gilliam Style
lora:TerryGilliam:1A scene from the Terry Gilliam film Brazil as directed by Orson Welles
shot on an Arri Alexa Mini LF with a 50mm lens
under neon-lit conditions. Symmetrical facial features
fingers and limbs. The style blending Welles' noir-inspired cinematic language with the high-tech
low-life ethos of cyberpunk
developed on Kodak Vision3 500T 5219 film. Expect the scene to depict a gritty futuristic cityscape
filled with imposing architecture
holographic advertisements
and a diverse crowd of cyborgs and humans.
Sign up to unblur
SDXL Base 1.0
Kappa_Neuro
Terry Gilliam Style
lora:Terry Gilliam Style:1Terry Gilliam Style - A scene from the Terry Gilliam film Brazil as directed by Orson Welles
shot on an Arri Alexa Mini LF with a 50mm lens
under neon-lit conditions. Symmetrical facial features
fingers and limbs. The style blending Welles' noir-inspired cinematic language with the high-tech
low-life ethos of cyberpunk
developed on Kodak Vision3 500T 5219 film. Expect the scene to depict a gritty futuristic cityscape
filled with imposing architecture
holographic advertisements
and a diverse crowd of cyborgs and humans.
Show more