Fingers and limbs. The style blending Welles' noir-inspired cinematic language with the high-tech images generated with AI

TerryGilliam 2.1_rmadaMerge_v7 Kappa_Neuro Terry Gilliam Style lora:TerryGilliam:1A scene from the Terry Gilliam film Brazil as directed by Orson Welles shot on an Arri Alexa Mini LF with a 50mm lens under neon-lit conditions. Symmetrical facial features fingers and limbs. The style blending Welles' noir-inspired cinematic language with the high-tech low-life ethos of cyberpunk developed on Kodak Vision3 500T 5219 film. Expect the scene to depict a gritty futuristic cityscape filled with imposing architecture holographic advertisements and a diverse crowd of cyborgs and humans.

TerryGilliam 2.1_rmadaMerge_v7 Kappa_Neuro Terry Gilliam Style lora:TerryGilliam:1A scene from the Terry Gilliam film Brazil as directed by Orson Welles shot on an Arri Alexa Mini LF with a 50mm lens under neon-lit conditions. Symmetrical facial features fingers and limbs. The style blending Welles' noir-inspired cinematic language with the high-tech low-life ethos of cyberpunk developed on Kodak Vision3 500T 5219 film. Expect the scene to depict a gritty futuristic cityscape filled with imposing architecture holographic advertisements and a diverse crowd of cyborgs and humans.

SDXL Base 1.0 Kappa_Neuro Terry Gilliam Style lora:Terry Gilliam Style:1Terry Gilliam Style - A scene from the Terry Gilliam film Brazil as directed by Orson Welles shot on an Arri Alexa Mini LF with a 50mm lens under neon-lit conditions. Symmetrical facial features fingers and limbs. The style blending Welles' noir-inspired cinematic language with the high-tech low-life ethos of cyberpunk developed on Kodak Vision3 500T 5219 film. Expect the scene to depict a gritty futuristic cityscape filled with imposing architecture holographic advertisements and a diverse crowd of cyborgs and humans.